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    • 2014 Senior Thesis Exhibition
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    • 2015-16 Pieces
    • 2017-19 Mixed Media Pieces
    • 2020-2024 Paintings and Drawings
    • 2024 Simple Foods Series
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Cristina Lynn Art

cristinalynn.art@gmail.com
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IG: cristinalynn_art
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Cristina Lynn Art

  • Home
  • Contact
  • About
  • Gallery
    • 2014 Senior Thesis Exhibition
    • 2012-2013 Paintings and Drawings
    • 2015-16 Pieces
    • 2017-19 Mixed Media Pieces
    • 2020-2024 Paintings and Drawings
    • 2024 Simple Foods Series
02_CMalais_SelfPortrait_Set_2013.jpg

2014 Senior Thesis Exhibition

Correlate

I have been intrigued by life's complex divisions of space, time and location that have affected my family since I was a child. For the past three years I have experienced these realities and complexities first hand. Thus, I have been able to explore how the two sides of my division correlate both in my daily life and through my art.

In wanting to describe aspects of my life from both places along with the necessity to navigate between these separate realities, I have created sets of paintings that include one from observation and one entirely from memory of the same subject. The two paintings within each set were created simultaneously, but in opposite locations. Painting through recollection not only allows me to better see and attend to the specificities of each place, but it also solidifies that each painting, and inherently each place, correlate with each other to create a whole existence.
 

2014 Senior Thesis Exhibition

Correlate

I have been intrigued by life's complex divisions of space, time and location that have affected my family since I was a child. For the past three years I have experienced these realities and complexities first hand. Thus, I have been able to explore how the two sides of my division correlate both in my daily life and through my art.

In wanting to describe aspects of my life from both places along with the necessity to navigate between these separate realities, I have created sets of paintings that include one from observation and one entirely from memory of the same subject. The two paintings within each set were created simultaneously, but in opposite locations. Painting through recollection not only allows me to better see and attend to the specificities of each place, but it also solidifies that each painting, and inherently each place, correlate with each other to create a whole existence.
 

02_CMalais_SelfPortrait_Set_2013.jpg
03_CMalais_SelfPortrait_Observation_2013.jpg
04_CMalais_SelfPortrait_Memory_2013.jpg
05_ImTheSleepiestPersonShesEverMet_Set_2014.jpg
06_CMalais_ImTheSleepiestPersonShesEverMet_Observation_2014.jpg
07_CMalais_ImTheSleepiestPersonShesEverMet_Memory_2014.jpg
08_CMalais_ThisIsWhereWeSit_Set_2014.jpg
09_CMalais_ThisIsWhereWeSit_Observation_2014.jpg
10_CMalais_ThisIsWhereWeSit_Memory_2014.jpg
11_CMalais_HerOnlyComfortableChair_Set_2013.jpg
12_CMalais_HerOnlyComfortableChair_Observatoin_2013.jpg
13_CMalais_HerOnlyComfortableChair_Memory_2013.jpg
14_CMalais_MySecondHome_Set_2014.jpg
15_CMalais_MySecondHome_Observation_2014.jpg
16_CMalais_MySecondHome_Memory_2014.jpg
17_CMalais_ThisIsWhereSheDesigns_Set_2014.jpg
18_CMalais_ThisIsWhereSheDesigns_Observation_2014.jpg
19_CMalais_ThisIsWhereSheDesigns_Memory_2014.jpg
Exhibition Documentation 5.jpg
Exhibition Documentation 3.jpg
Exhibition Documentation 4.jpg
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